Elisabeth Molin, Scene 12 (SLOW PUNCTURE)

It was a dream inside a dream inside a cinema. The floor was mushy, made from moss and men fell asleep intermittently in front of the stage. The sound of keys whenever they walked past you. There was a conductor in amongst the audience who made swiping gestures on the hour. The sound of birds.

Elisabeth’s practice engages various media of objects, videos and photographs, brought together through performance, installation and writing. Writing has been a key stimulus for visual and audio work, but it works both ways. She is interested in when gaps appear, in stumbling across the uncanny, in uneasy moments which often belie the nearness of death. She has an acute sense of how to stage the almost non-existent, always with a gentle yet probing sense of humour. ( - Catherine Yass)

Elisabeth Molin graduated from Chelsea College of Art in 2009 and from Royal College of Art in 2013 and has since shown her work at, among others, KW Institute, Berlin; Wiels, Brussels; BB15, Linz; Belmacz, London; SixtyEight Art Institute, Copenhagen; and ISCP and Columbia Teachers College, New York. She has shown her videos as part of the 32nd Images Festival in Toronto, the 31 Stuttgarter Filmwinter in Stuttgart and the 7th Medrar Video Festival in Cairo.

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