Indianna Solnick, Catch

25 November - 16 December 2023

Indianna Solnick, Catch installation view, No Show Space, 2023.
Indianna Solnick, Catch installation view, No Show Space, 2023. From left to right: Snag, Catch, Split, Funnel, Huddle, 2023.
Indianna Solnick, Catch 2023, Funnel 2023, Huddle 2023
Indianna Solnick,from left to right: Catch, 2023. Acrylic and oil on paper, wood ; Funnel, 2023. Monoprint. Intaglio ink, Zerkal paper, 200 gsm. Paper size 370(w) x 276(h) mm; Huddle, 2023. Monoprint. Intaglio ink, Zerkal paper, 200 gsm. Paper size 367(w) x 284(h) mm.
Indianna Solnick, Split, 2023
Indianna Solnick, Split, 2023. Encaustic on wood, nylon string. Dimensions variable.
Indianna Solnick, Snag, 2023
Indianna Solnick, Snag, 2023. Acrylic on paper, nylon string, polythylene. Dimensions variable.
Indianna Solnick, Catch installation view, No Show Space, 2023
Indianna Solnick, Catch installation view, No Show Space, 2023. From left to right: Split, Funnel, Huddle, Catch, Snag, 2023.
Indianna Solnick, Catch, 2023
Indianna Solnick, Catch, 2023. Acrylic and oil on paper, wood. Dimensions variable.

Catch explores the fence, border, and enclosement in our built landscape.

In new painting installations, signs and signals collide with punctuation motifs to activate a language of landscape. Here Solnick contemplates, through an unfolding of the painting surface into passageways and fences, the forms that echo her walks and explorations, gently questioning the structure of the urban landscape.

“Landscape has all the features of language. It contains the equivalent of words and parts of speech — pattern of shape, structure, material, formation, and function”. — Anne Whiston Spirn

Solnick’s practice is concerned with a storytelling of land and lived spaces, tracking patterns in the structuring and infrastructure of our environments. These stories are told partly through material choices and partly through form, diagram and narrative. Surfaces are built from composites of paper, continually dismantled and rebuilt. Paintings expand from the wall, wrapping and spiralling to form interior voids, enclosures and passageways.

Indianna Solnick is a recent graduate from MFA Slade School of Art in 2023 and from BA Wimbledon College of Art 2017. Early exhibitions, amongst others, include Total Straw, Parkhouse Street Studios, 2023; At The Edge Of Safehouse, Safehouse1, London, 2022; Grasswork, Gallery No.32, London, 2021 and Wish You Were Here, Fronteer Gallery, Sheffield, 2021. Solnick was a recipient of the Haworth Scholarship for Painting 2021-2023 and the Retreat Prize 2017.

Opening hours: Wednesday - Saturday, 12 - 6 pm or by appointment
No Show Space, 39 Temple Street, London E2 6QQ
For further information please email tina@noshowspace.com